![]() I mean, it's, you know, it's a possibility. Hades: It's a small underworld, after all, huh? Hades: We dance, we kiss, we schmooze, we carry on, we go home happy. Pain: Remember, like, a few years ago, every other boy was named Jason, and the girls were all named Brittany? I mean, Hercules is a very popular name nowadays. ![]() Pain: This might be a different Hercules. Hades: So you took care of him, huh? "Dead as a doornail." Weren't those your *exact* words? Panic: Wait, wasn't Hercules the name of that kid we were supposed to.? ![]() Panic: "Hercules." Why does that name ring a bell? You know, I haven't been this choked up since I got a hunk of moussaka caught in my throat. You'll be dead before you can get to her. ![]() The son of my hated rival trapped forever in a river of death. Hades’ enduring popularity was evidenced when he became a member of the Disney villains – a sub-franchise that spanned television specials and video games.Hercules: You like making deals. Both injected their respected characters and films with a pervasive charm that has endeared audiences even twenty years later. The connection to Robin Williams' Genie was an apt one. I mean, you look like a fate worse than death.” This nonstop barrage of humor helped lighten the darkness of the Greek mythology that served as the original source material and provided the sharp wit and satire that allowed adults to enjoy Hercules as much as children.Įven the legendary Roger Ebert sang Woods' praises in his review of Hercules, claiming Woods voiced Hades with “ with diabolical glee and something of the same verbal inventiveness that Robin Williams brought to Aladdin”. For example, in an attempt to convince one of the Fates to reveal the future, he turns on the charm, “ Did you cut your hair? You look fabulous. Instead of the original idea for Hades to be grave and dramatic, similar to the sea witch Ursula from The Little Mermaid or Aladdin’s Jafar, the king of the dead was reimagined as a schmooze. Ultimately, Woods' involvement not only changed Hades' characterization, but also the direction of the movie as a whole. Lines of Hades’ dialogue were rewritten and improvisation was welcomed, which caused Hercules to take on a more comic tone. His approach was a breath of fresh air and convinced the directors that the original Hades plan should change. Finally, Woods came into the fold and gifted Hades with a wheeler-dealer whirlwind energy. Clement and Musker continued to portray Hades seriously during auditions that saw actors such as Phil Hartman and John Lithgow read for the part. Regardless, he was still not the first choice for the role after Nicholson. Woods was best known for 1984’s Once Upon A Time In America. Related: Casting Disney's Live-Action Hercules Movie: Who Should StarĪfter a long auditioning process, in which David Bowie and Kevin Spacey were considered, the role eventually went to James Woods, who took Hades’ character in a more comedic direction, akin to a fast-talking car salesman. It was a similar deal to what he received for his role as The Joker in 1989’s Batman, however, Disney refused and Nicholson walked away from the role. Nicholson asked for between $10-15 million, along with 50% of the merchandising money from Hades' goods. Despite the interest, Nicholson’s contract proved a stumbling block. He visited Disney’s development building with his family, where he was shown concept art for the character and test animation of Nicholson’s lines in A Few Good Men. This version of Hades was supposed to be serious and slow-spoken, making use of Nicholson’s signature "purr". The directors, John Musker and Ron Clement, initially wrote Hades’ lines for regular Tim Burton collaborator Jack Nicholson. The original plan for Hercules and its titular villain, Hades, was very different at the beginning of production.
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